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(4 January 1954 - 14 April 2025)

We mourn the loss of our honorary member, Kammersänger Peter Seiffert

Im fernen Land, unnahbar euren Schritten – for anyone who had the good fortune to hear Peter Seiffert sing the role of Lohengrin, these words from the Grail Lay will always be indelibly associated with the memory of his radiant tenor voice. His first performance of the role of the swan knight here at his home company on 23 June 1990 marked not only the international breakthrough in the career of the then 36-year-old, but also the great turning point in his development as an artist: the gradual departure from the lyric tenor repertoire and the turn to the great heroic roles, especially in the operas of Richard Wagner, with which Peter Seiffert was to become one of the greatest singers of his generation for three decades. Seiffert probably owed the fact that his career lasted so long to the years he had spent here in the ensemble. On 9 October 1982, the young singer introduced himself to the Berlin audience as Matteo in Strauss' ARABELLA and sang a variety of roles here in the following years, from Mozart's Tamino and Don Ottavio to Gounod's Faust, to appearances in operas by Lortzing and Janáček, later Verdi's Otello or Pedro in Eugen d'Albert's TIEFLAND. Even after leaving the permanent ensemble to pursue a global career, Peter Seiffert remained loyal to the Deutsche Oper Berlin: By the time of his very last appearance at the house on 11 May 2019 as Tannhäuser, he had performed over 300 evenings in 26 different roles, and in recognition of this loyalty, Peter Seiffert was awarded honorary membership of the Deutsche Oper Berlin on 22 May 2024. On 14 April 2025, Peter Seiffert passed away after a long and serious illness. The Deutsche Oper mourns the loss of a great artist, colleague and human being and will honour his memory.
We mourn the loss of our honorary member, Kammersänger Peter Seiffert
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Our next performances

To our schedule
12, 19, 27 April 2025

Die Meistersinger von Nürnberg

Wagner's only cheerful opera, in its summer-night drunken play about delusion and reality, love, ageing and the practice of art, is the work in which everything revolves around the theme of life under the sign of music ... Conductor: Ulf Schirmer; Production: Jossi Wieler, Anna Viebrock, Sergio Morabito; With Thomas J. Mayer, Albert Pesendorfer, Philipp Jekal, Magnus Vigilius, Chance Jonas-O'Toole, Elena Tsallagova, Annika Schlicht a. o.
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21, 26 April 2025

Der fliegende Holländer

The eerie world of Romanticism with its revenants and ghost ships inspired Wagner to write his first mature work. Christian Spuck tells the story of the "Cursed of the Seas" and the lonely captain's daughter as a dark fairy tale from the memory of Senta's spurned admirer, the hunter Erik ... Conductor: Giulio Cilona; Production: Christian Spuck; With Patrick Guetti, Flurina Stucki, Kieran Carrel, Stephanie Wake-Edwards, Andrei Danilov, Derek Welton / Joachim Goltz a. o.
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24 April; 2 May 2025

Antikrist

Langgaard's monolithic work creates an eschatological mystery play that pays homage to the fin de siècle with music reminiscent of Strauss and Wagner, but which does not deny Hindemith and Schönberg. Ersan Mondtag not only directs ANTIKRIST, but also designs the scenic set in his typical powerful expressionist style ... Conductor: Stephan Zilias; Director: Ersan Mondtag; With Kyle Miller, Jonas Grundner-Culemann, Maria Vasilevskaya, Arianna Manganello, Thomas Cilluffo, Martina Baroni, Flurina Stucki, Thomas Blondelle, Tadeusz Szlenkier, Philipp Jekal a. o.
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3, 11, 22 May 2025

Aida

In Benedikt von Peter’s production of Verdi’s pharaonic opera, exotic Egypt is only visible as a dreamworld depicted on postcards. In this version of the work, which occupies the entire auditorium, the focus is on Radames’s dichotomy between the sobering reality of his everyday activities and his desire to find the woman of his dreams … Conductor: Paolo Arrivabeni; Director: Benedikt von Peter; With Judit Kutasi, Hulkar Sabirova, SeokJong Baek a. o.
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Ticket sales for both cycles from 16 May to 31 May 2026 will begin on 1 February 2025

Der Ring des Nibelungen

In May 2026, you can experience two cycles of the RING DES NIBELUNGEN in Stefan Herheim's production with artists such as Ya-Chung Huang (Mime), Iain Paterson and Thomas J. Mayer (Wotan), Annika Schlicht (Fricka), Michael Sumuel (Alberich), Matthew Newlin (Siegmund), Elisabeth Teige (Sieglinde, Brünnhilde), Clay Hilley (Siegfried), Trine Møller and Catherine Foster (Brünnhilde) and Albert Pesendorfer (Hagen / Fasolt). These eight performances also mark the farewell of our General Music Director Sir Donald Runnicles... The performances of the first cycle from 16 to 25 May are available individually; the performances of the second cycle from 26 to 31 May are only available as a four-performance package.
Further information
To the performances in May 2026
The book in shops and at our premises

Wie kommt das Neue in die Welt?

Hardly any other opera house has commissioned as many world premieres as the Deutsche Oper Berlin under the artistic direction of Dietmar Schwarz: From Aribert Reimann to Detlev Glanert and Chaya Czernowin to Rebecca Saunders, some of the most important composers of the 21st century have written new works for the big stage, while names such as Gordon Kampe, Keyvan Chemirani and Sara Glojnaric represent the programme diversity of the company's second venue, the experimental stage Tischlerei. But what conditions must be met for good music theatre to emerge? The conversations between the artistic director and the composers collected in this book, as well as visual insights into the practical work of composing, show how different approaches to the art form of opera are today. The book costs €32.50 and is available also at our box office and at the first cloakroom on the left.
Buying from Schott
Season release 25/26 – 19 May 2025

What's coming up?

With seven premieres on the main stage and our broad repertoire, we offer the whole spectrum of musical theatre in the coming season. The concert 'What's coming up?', presented by Christoph Seuferle and Jörg Königsdorf, offers a first glimpse of the season with excerpts and highlights from all new productions and selected repertoire productions. Prominent guests such as Jonathan Tetelman and Frederica Lombardi, members of the ensemble, chorus and orchestra will present rediscoveries, rarities and classics from three centuries of musical theatre. This concert will also honour a great singer: Doris Soffel, who most recently thrilled audiences as the Countess in PIQUE DAME, Klytämnestra in ELEKTRA and Adelaide in ARABELLA, will be awarded honorary membership of the Deutsche Oper Berlin.
To the concert
NEW SCENES VII - 27, 30 April; 1, 5 May 2025

The next generation of mastersingers

NEW SCENES sees the Deutsche Oper Berlin and the Hanns Eisler School of Music Berlin collaborating on a competition open to duos of young composers and librettists. Applicants are narrowed down to three teams, each of which then focuses on producing a chamber opera and casting budding singers to perform the piece. The competition culminates in a triptych of premieres in the Tischlerei. In the blog, we have documented an encounter with four up-and-coming singers who will be performing with us for the first time.
Read in our blog
New Scenes VII
An initiative of the Foundation for the Deutsche Oper Berlin

Support our young audience...

Children and young people are the opera audience of today and tomorrow. The Stiftung für die Deutsche Oper Berlin is responsible for ensuring their continued attendance and would like to keep ticket prices stable for this target group in the future. To this end, the Stiftung für die Deutsche Oper Berlin has launched this project, which compensates for the necessary price increase following cuts to the cultural budget. Support this valuable project for young people with your donation, so that the world of opera remains accessible to children and young people. Help to spark and sustain their enthusiasm for opera!
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Topics

Here you can find out everything about our programmes for nurseries and schools, children, young people and families

Our Children's and Youth Programme

We at Junge Deutsche Oper want to give young people access to the world of music theatre and open up a world for you in which there is something for everyone to discover. Concert formats, opera and music theatre can be experienced on the main stage, in the Tischlerei and in the foyer as part of school and daycare or in your free time with your family.
Click here for the Junge Deutsche Oper website
11 June 1932 – 22 March 2025

In memory of Kammersänger Rolf Kühne

There is hardly another singer whose biography reflects the fortunes of Berlin as a centre for opera as directly as that of Rolf Kühne: between 1960 and 1997 the bass-baritone was a member of the ensemble at all three of the city's opera houses. Initially it was the Komische Oper that brought the young singer to the capital. But only a year later, in 1961, he was already engaged by the Staatsoper. After Kühne failed to return to the GDR in 1968 following a guest performance by the State Opera in Switzerland, the major stages not only in West Germany were open to him. Nevertheless, in 1973 Kühne decided to return to Berlin and become a member of the Deutsche Oper Berlin ensemble. Kühne remained loyal to our company for 24 years, appearing on stage here on a total of 738 evenings and playing 60 different roles. It has now been announced that Rolf Kühne died in Wiesbaden on 22 March at the age of 92. The Deutsche Oper Berlin will honour his memory.
Read the obituary here
Now available in stores as a CD box set

Jules Massenet: Hérodiade

Few female figures have inspired the art of the late 19th century as enduringly as the Judean princess Salome. In France in particular, writers, painters and composers were fascinated by this material and its blend of Orientalism and decadence, of eroticism and opulence. Jules Massenet also took up the story, although at the centre of his HÉRODIADE is not, as it was a quarter of a century later for Richard Strauss, the royal child-woman Salome, but her mother Herodias, the wife of King Herod. And while Strauss would later push open the door to the 20th century with his first operatic success, in Massenet's work, 19th-century grand opera celebrates one of its last triumphs, complete with pathos, posturing and a Hollywood-style script. Under the direction of Enrique Mazzola, you can hear Etienne Dupuis, Clémentine Margaine, Nicole Car and Matthew Polenzani, among others.
Buy the CD on Amazon
Are you under 30? Then save up to 90%!

The ClassicCard App!

The ClassicCard is a unique offer in Germany for young classical music fans. With the free ClassicCard app, you can easily search through and purchase tickets in advance for all current concert, opera and ballet events at the Konzerthaus Berlin, the Staatsoper Unter den Linden, the Deutsche Oper Berlin, the Komische Oper Berlin and the Staatsballett Berlin, the Berliner Philharmoniker, the Pierre Boulez Saal, as well as the institutions of the Rundfunk Orchester und Chöre Berlin. With the ClassicCard, anyone under the age of 30 receives significantly discounted tickets for performances by the participating houses. To take advantage of the numerous benefits of the ClassicCard, you must be a member. The annual fee for membership is based on the age of the person (min. 14 years/€14, max. 29 years/€29). Never miss another performance or concert: the ClassicCard makes it possible!
Get the ClassicCard app now!
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