Don Giovanni
Su 14.3.27 Su 21.3.27 We 24.3.27 Su 28.3.27 all events
Dramma giocoso by Wolfgang Amadeus Mozart
Opera Main stage
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
©2023, Bettina Stöß
Conductor
Director
Stage design
Costume design
Chorus direction
Choreographer
Conductor
Director
Stage design
Costume design
Chorus direction
Choreographer
Conductor
Director
Stage design
Costume design
Chorus direction
Choreographer
Conductor
Director
Stage design
Costume design
Chorus direction
Choreographer
Don Giovanni
Commendatore
Donna Anna
Don Ottavio
Donna Elvira
Leporello
Masetto
Zerlina
Orchestra
Don Giovanni
Commendatore
Donna Anna
Don Ottavio
Donna Elvira
Leporello
Masetto
Zerlina
Orchestra
Don Giovanni
Commendatore
Donna Anna
Don Ottavio
Donna Elvira
Leporello
Masetto
Zerlina
Orchestra
Don Giovanni
Commendatore
Donna Anna
Don Ottavio
Donna Elvira
Leporello
Masetto
Zerlina
Orchestra
Dramma giocoso in two acts by Wolfgang Amadeus Mozart
Libretto by Lorenzo da Ponte
First performed on 29th October, 1787 at Prague
Premiered at the Deutsche Oper Berlin on 16th October, 2010
Libretto by Lorenzo da Ponte
First performed on 29th October, 1787 at Prague
Premiered at the Deutsche Oper Berlin on 16th October, 2010
E. T. A. Hoffmann called Don Giovanni «the opera of all operas.» The philosopher Søren Kierkegaard even included the piece in his major work, where the title character is described as „the incarnation of the genius of all that is sensual.” Don Giovanni is variously seen as an erotic womanizer or a ruthless lecher, as Dionysus incarnate or a contemptible sex offender. In Roland Schwab’s production, too, he appears fragmented. Driven by an insatiable desire for more, he staggers between revelry, orgies of violence and ascetic withdrawal. Making his house debut, you’ll have the chance to see Iurii Samoilov as the “seducer of all seducers,” alongside Olga Peretyatko in the role of Donna Elvira. You may, however, be very familiar with Tommaso Barea, who returns here as Giovanni’s cynical servant Leporello following his great success in 2023. Stefano Montanari conducts this revival in his signature repertoire before showcasing a completely different side of himself with the premiere of Otello.
Introduction 45 minutes before the performance in the Rang Foyer on the right
LanguageIn Italian language with German and English surtitles
Duration3 hrs 30 mins / including an interval after approx. 95 minutes
Age recommendationfrom age 16
New productions 26/27
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