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Chorus - Deutsche Oper Berlin

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For the last time on 29 March; 3, 11 April 2026

Parsifal

In his interpretation of the story of the ‘pure fool,’ Philipp Stölzl focuses primarily on questions of fanaticism in hermetic religious communities: anti-Enlightenment worldviews, belief in miracles, and the violent exclusion of outsiders are themes he explores in Tableaux vivants, a journey through two millennia of history. Don't miss the final performances!
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Podcast of our Patrons' Circle ... Episode #12

Duett ... With Jeremy Bines

As a wonderful body of sound, the multi-award-winning Chorus of the Deutsche Oper has suffered particularly as a collective from the Corona pandemic. What this demands of a chorus director, how a chorus sings when it cannot be live on stage - as in the new production of FRANCESACA DA RIMINI - is what chorus director Jeremy Bines tells Silke Alsweiler-Lösch.
Duett ... With Jeremy Bines

Topics

15, 23, 26 March 2026 – For the last time

Aida

In Benedikt von Peter's production, exotic Egypt is only present as a dream world on a postcard. In his interpretation, which makes use of the entire auditorium, he focuses entirely on Radames' conflict between his sobering everyday life and his longing for the woman of his dreams... Experience for the last time the chorus singing in the hall next to you and become part of this great spatial sound in an indescribable way.
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A fully-fledged part of our ensemble since 2008

The Children’s and Youth Chorus

The singers in the Deutsche Oper Berlin children's chorus may be young, but they already share the same goal as their professional colleagues in the ‘big’ chorus: they want to inspire. They want to create a successful evening with the ensemble. This year, the children's chorus and its soloists were part of the major children's production DIE DREI RÄTSEL (The Three Riddles).
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Our digital chamber music series

Chorus Soloists sing Liebeslieder Waltzes

"By the way, I would risk being called an ass if our love songs did not give pleasure to some people", Johannes Brahms wrote about his 18 miniatures for four-hand piano and vocal soloists. Listen to five of these love song waltzes (op. 52) in a special edition of our "Favourite Pieces" series, sung by members of our chorus.
Chorus Soloists sing Liebeslieder Waltzes
Va', pensiero, sull'ali dorate

Listen this highlight

The candle is lit, the singers are ready… In Verdi’s NABUCCO the chorus is one of the main protagonists – and not just because of the famous “Va, pensiero” sung by the ‘Chorus of Slaves’. Eighty voices united as one – this is the challenge to be tackled by every director of the work.
Listen this highlight
7, 12 June 2026

Carmen ... Of blazing passion in a mercilessly cruel world

Carmen is seductive and the self-confident antithesis of the romantic female ideal of fidelity and sacrifice. For the farmer's son and soldier Don José, she can only become the wrong woman. Out of love for her and the unconditional will to possess and keep her, he drives deeper and deeper into the maelstrom of crime. For director Ole Anders Tandberg, the bloody, colourful scenery of Andalusia, with its torero song and habanera, becomes the cipher of a cruel world in which only the law of the strongest applies and the inferior is killed.
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